Small erasure below publishers' details on first title-page, just affecting plate number. Czerny, F. Griepenkerl et F. Peters, . Half leather with gilt lettering across backstrip and raised bands. Some light spotting. Half leather a little rubbed with gilt lettering across backstrip and raised bands. Riemenschneider Peters, [; ].
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Score also with keyboard short score when three or more parts]. A Paris: Chez Richault, [? Generally foxed. Fourth edition. Hirsch M.
Not in Riemenschneider. Singstimmen [Chorus parts]. Bonn: bei N. Simrock, . Four volumes. Title dusty and upper inner opening corner of soprano and alto parts slightly torn. Both cantatas were published for the first time in in full score. Previously stitched. Dusty and title-page with little stain. Hirsch III. Not in Reimenschnieder.
Eulenburg Miniature Scores
A Facsimile with an introduction by David Kinsela. Two volumes. Cloth with dust-Publisher's printed wrappers. Griepenkerl Sen. Leipzig: au Bureau de Musique de C. Folded as issued title dusty, all edges a little dusty and occasional marginal spotting. Nice wide margined copy; with the ownership stamp of Alexandre Guilmant The full score in which the preface was printed was published by Peters at First edition. Riemenschneider no. Sammlung Hoboken vol. I, no.
Not in Hirsch or CPM.
New Miniature Scores from Eulenburg
London: Novello and Company, . Novello's Original Octavo Edition. Publisher's printed wrappers edges generally worn. A reprint of the revised edition of ; with the ownership signature, in ink on the front wrapper, of the composer Ethel Smyth dated May London: Oxford University Press, Cloth with gilt lettering. New Haven: Yale University Press, Decorative boards, printed dust-jacket. Preface by Basil Lam. Publisher's hardback with printed dust-jacket. London: Faber and Faber, .
Volume I [and II]. Princeton: Princeton University Press, Publisher's cloth with printed dust-jacket corners a little worn. Ex library with labels and stamps. Facsimiles, tables and music examples. Herausgegeben von Friedrich Smend. Hierzu Orgelstimmer von S. Leipzig: C.
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Peters, [ca. Large 4to. Quarter leather a little rubbed with marbled boards. Publisher's printed wrappers a little worn. Slight water-stain at upper final edges. Herausgegeben von Heinrich Besseler. Urtext of the New Bach Edition. Volume 1 [-3, Masses, Passions and Oratorios]. Publisher's printed wrappers in slipcase.
Separated sheets previously glued. Slightly foxed. Sebast Bach.
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Folded as issued in original publisher's decoratively bordered printed wrappers outer fold worn , with printed date of Some light browning and a few pencil performance markings. Sammlung Hoboken, vol. Translated from the German by Helen Hewitt. New York: C.
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Publisher's cloth. Paris: Picard, . Publisher's paperback. London: Hinrichsen Edition, . School of Bach-playing for the Organist, vol.
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Portrait frontispiece. With an introduction by Ernest Newman. London: Novello and Company, [s.
Handbooks for Musicians. Translated by Herbert J. Bouman, Daniel F. Poellot [and] Hilton C. Edited by Robin A. St Louis: Concordia, . Illustrations and facsimiles. Erstes [-Vierter] Heft. BWV , , , , , , , , , , , , and ]. Four books in one. Quarter vellum with mid-twentieth-century marbled boards. Extremely rare; not in OCLC. I, nos Translated from the German by Clara Bell and J.